Year: 2020

Thralling Thenford

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Last month I was delighted to be able to visit Thenford, Northamptonshire on one of its open days. A very private and expansive garden it is the stately home of Lord and Lady Heseltine who acquired it in 1976.

As we swept through the imposing gates we had no idea what to expect, other than we knew there was a walled garden and an arboretum. The afternoon sunshine welcomed us in.

We thought this would be a pleasant distraction from the Covid troubles only to find as we parked in the field north of the house, that many other visitors were decked out in face masks; surely not necessary for an afternoon outside?

Heading straight ahead of us to the sunken rose garden which is south west of the house, it is the Barn owl which catches our eye; so realistic in its stance we wonder if it might take flight.

The roses, all helpfully labelled are understandably not at their best now but the putti provides entertainment instead.

This heavenly bench must be the perfect place to linger and enjoy the heady scent on a summer’s day.

We decide to visit the arboretum first and so take the path along the south front of the handsome Grade 1 listed house. On the lawn Guy Taplin’s graceful cormorants enjoy the unspoilt view from the ha ha.

October is the best time to visit an arboretum, and Thenford did not disappoint. An enviable collection of trees; approximately 4,000 different types. The maples (Acers) in particular are in glorious technicolour, some have turned golden

others bright red, and all showing how nature can age so majestically.

The berries delight too, from the simple Spindle Euonymous hamilton English Charm,

to the scarlet berries of the Rowan Sorbus matsumuranu

and to the small black berries of Aronia melanocorpa grandiflora, the black Chokeberry.

Take a look at the litchen growing on the bark and how well-armed is the trunk of Gleditsia japonica koraiensis.

The arboretum is spread out over 70 acres and, following the path through there are tranquil glimpses of pasture, sheep and lake.

There are some 113 champion trees (individual trees that are exceptional examples of their species because of their enormous size, great age, rarity or historical significance) here planted well before the Heseltines arrived here, however this young liquidamber demonstrates that planting is ongoing.

A few flowers are evident, the white flowers on the Viburnum plicatum f. tomentosum ‘Dart’s Red Robin’ determinedly project upwards,

and the low growing shrub Heimia salicifolia which has tiny yellow flowers. Native to S. America you can obtain your legal high from this little gem but, I am informed, it is quite short lived.

It is also a watery landscape with the three medieval fish ponds planted decoratively with not only trees but also a diverse selection of shrubs and perennials, with an abundance of bridges that span and reflect; there is a green, a red,

a blue

and a neat brick, the shape of which

is similar to that of the ice house.

Sited above the fishponds and best viewed from near the ice house is the parish church of St Mary caught in the afternoon sun.

In such a vast area benches are a necessity and so often in public spaces they are there to commemorate a person. This one, a birthday present from the grandchildren, perhaps touchingly displays something of the owner’s character ‘Grandpa to sit and scheme’.

The leaves beneath our feet give off a delicious aroma of caramel; they have fallen from the Katsura tree, Cercidiphylum japonicum.

It is hard to believe that a tree trunk could be quite so white; in this grove the low sun highlights the brilliance of the silver birches.

Moving on we come to yet more water, the New Lake where reflections seem brighter than the actual image.

Along the lake is a gathering of humble but handsome hawthorns, cratageus crus galli,

similar but smaller cratageus canbyi

and looking good enough to eat, the orange-coloured hips of cratageus x lavallei carrierei.

This is the southernmost tip of the arboretum and before turning back we pause awhile and admire what has been achieved here over the past forty odd years and wonder what it will look like in another forty years.

On the hillside we come across three conifers looking like some weird and wonderful beasts.

Passing the house again we head for the walled garden over on the east side and find in Lannings Walk this wicked little chap.

I make a mental note to plant cyclamen hederifolium, they brighten up any woodland floor.

Here and there ruined arches appear,

adding a little interest and a window through which to view yet more.

And what are these dark curious objects lying around the base of the tree?

Close inspection reveals they are fallen suits of armour.

Just to the right of the entrance to the walled garden is an amazing sight. These early snowdrops are not unusual in appearing now but how glorious they look amongst the maple leaves. This variety is Galanthus reginae-olgae ‘Tilebarn Jamie’ and is just one type out of 600 different snowdrop species grown here. Next February there are two afternoons scheduled for snowdrop walks.

It is a very different feel on entering the walled garden where we are greeted by marble elephants.

This space is very organised, neat and overwhelmingly geometrical, a complete contrast to what we have already experienced. Inspired by Andre Le Notre of Versailles and Vaux-Le-Vicomte fame, it was I understand sketched by Lord Heseltine, and then the designer George Carter made it happen. A more appropriate designer you couldn’t have as he specialises in formal gardens inspired by the simple geometry of 17th century gardens http://georgecartergardens.co.uk/. Incidentally George who lives in Norfolk will be opening his garden next year on Sunday 19th September for the National Garden Scheme.

Paths criss cross systematically and continue through rotundas.

The walled garden covers two acres allowing enough space for sizeable greenhouses. There is even an aviary, and it is the call from these birds that is the only sound you hear in these enclosed walls.

In one corner is the head of Goliath, or is it Billy Connolly? Whoever he is he is cleverly in tune with the fig foliage behind.

In another corner diametrically across are two sentry boxes silently waiting to be sat in.

There is an area for vegetables but curiously these artichoke almost look out of place.

From all around you can see the central fountain.

Outside the walls along the south side is a mixed border with all sorts of delights,

interspaced with elegant seats,

and across the strip of grass the border runs along the field side,

where metal moon windows invite you to look out across the distant countryside.

We make our way back through the trees in Lannings Walk,

and into the field where the cars are parked. The head gardener is selling the Heseltine’s book and looking at the front cover I realise that we have missed the rill. He urges us to take a look (at the rill, not the book which is wrapped in plastic – covid precautions) and so we hurry back.

The light is fading as we hurry back to find the splendid rill bubbling away in all its glory.

Just below the rill, water plays off the broad leaf plant, and yes you might be forgiven for not realising it is made of metal.

Just further on we discover the Sculpture Garden. Oh my, how could we have missed this.

Sculptures, many of which are contemporary British, are displayed set out on the grass bays backed by beech. ‘The Dancers’ by Lilly Henry could be straight out of Strictly.

Gracefully tall and thin is ‘The Vessel’ made of slate and fibreglass and has been created by Maryanne Nichols, a sculptor from Suffolk,

and lying solidly on the ground is Ronald Rae’s ‘Head of John the Baptist’.

It is quite a collection; too many to include all, but Phillip Jackson’s gentle lady ‘Reading Chaucer’ is a delight although her pages are in fact blank.

Lastly we admire the massive ‘Head of Lenin’ by Dzintra Jansone which was removed from a town square in Preili, Latvia.

Returning to the car we slip past the watchful eye of the hounds on the lawn and say our goodbyes, and promising to return the Head Gardener advises us that May is the best time.

Our visit has indeed proved to be a wonderfully refreshing distraction with incidentally, not a face mask in sight.

Covid restrictions might have put garden visiting on hold for the moment but there is no harm in planning for next year: https://bookwhen.com/thenfordarboretum#focus=ev-sz8n-20210203130000

Charismatic Kiftsgate Court

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Kiftsgate is a garden that has been on my list for some years, and, staying in Oxfordshire recently we chanced the weather and caught one of the last days of opening for the year. Many of you may already know this famous garden and if you don’t I encourage you to look at its very good website where you can learn about the history, enjoy stunning photographs and read excellent articles http://www.kiftsgate.co.uk/home.

So, you might think, what is the point of reading this. Well you have got this far and the chances are it is raining outside so you might as well read on and follow my steps.

The sky was grey as it so often has been in these past few weeks …

but there was plenty of colour at ground level,

a positive explosion in some places…

and tumbling down in others.

You can read up on a place but nothing quite prepares you for the actual visit; the sounds, the autumnal smells and the far-reaching views. It is often difficult to appreciate the layout of the garden until you are standing there and Kiftsgate is no exception. We begin on the elegant terrace…

which compliments the graceful Georgian portico. This has in fact been recycled having once stood in front of the manor house in Mickleton a mile away, and it was transported here on a specially constructed light railway.

Moving further along this side of the house more columns rise up through the mass of plants.

The long double border has been planted by three generations of the female side of the family; it is floriferous, timeless and familiar.

This garden may be famous for its roses but its planting combinations are a lesson on how to give longevity to the summer season.

We turn off the long border into the White Sunk Garden where jets of water play in the wind in the centre. The shrubs surrounding the fountain are planted for their white flowers; deutzia, carpentaria, hoheria and staphyllea are not so evident at this time of year, however the varied underplanting provides a mix of colour and texture throughout the year.

Close to the house grows the small tree Staphylea colchica the white flowers of which have morphed into inflated pods, which is presumably why it has the unfortunate name of common bladdernut.

An archway in the hedge invites us into the rose garden where a multitude of roses including the famous Kiftsgate rose, have finished their display; we can do nothing but slip along the path and try to imagine the sight and fragrance.

At the far end the statue by Simon Verity subtly nudges us to the right. https://en.wikipedia.org/wiki/Simon_Verity There is a oneway system in place throughout the garden because of Covid and we are delightfully informed that this is a ‘pinch point’.

The orchard is small but spacious and the autumnal scent of apples fleetingly summons thoughts of crumbles and pies.

From here we ascend the sturdy wooden stairway up to the mound, and from here you can peep over and admire the fine razor-sharp yew hedging.

The mound which is in the shape of a horse shoe is the most recent addition, and while it develops, its most redeeming feature is the cherry-red hips of the rugosa roses planted along the top.

From the mound an avenue of Liriodendron tulipifera Tulip trees stretches to the skyline. What is so interesting is to see these trees in different stages to one another and presuming that they were all planted at the same time, on closer inspection each tree reveals a slightly different growth pattern; some show signs of greater maturity with larger trunks and leaves normal to large, whilst others are thinner with smaller leaves. Individual trees display variations in height and width and there is also a disparity with autumnal colourations, many leaves turning golden yellow whilst others are still firmly green.

The avenue leads to the tall majestic steel sculpture by Pete Moorhouse. https://www.petemoorhouse.co.uk/

We retrace our steps down the avenue, back through the orchard in search of the water garden, and for a moment I wonder at the greeness of this well-trodden shaded area and am amused to find that it is a strip of artificial turf.

Once a tennis court, the Water Garden is completely enclosed. Shades of dark greens contrast with the verdant grass. However we no longer hear the play of ball on racket, just the gentle sound of water trickling into the stillness.

I admire the smoothness of the yew hedge with its lower ledge running all the way around, and a fellow visitor suggests it has been cut so in order to provide a convenient resting place for bottle and glass.

We follow the yellow border which can still boast a little colour with the delightful Rosa Graham Stuart Thomas,

and the slow-growing clump-forming Kirengeshoma palmata.

Walking along the narrow north border back below the house I begin to realise that the garden is perched on quite a steep cliff.

The wind blows through the Scots pines towering above and the feel and atmosphere of the garden is transformed.

Mother and child nod to the direction of the downward path.

Baby Cyclamen hederifolium are so happy to grow in amongst the pine needles.

And so we descend to the lower garden as today’s finale where the temperature is warmer with the suggestion of mediterranean planting. Here the Swimming pool takes centre stage. The view is not at its best today but still provides an impressive vista across to the Malvern Hills.

Looking back up you can appreciate the height of the cliff with summer house half-way and a glimpse of the portico at the top through the Monterey Pines.

Kiftsgate Court is now closed for the season and will open again next spring, with two special open days supporting the National Garden Scheme on Monday 12th April and Monday 9th August 2021.

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The Sculpture Park at the Sainsbury Centre

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The other evening I was invited through an alternative Garden Gate, to a special tour of the Sculptures sited around the large campus of the University of East Anglia. Situated in a landscape of some 350 acres, a large lake and the river Yare, this is remarkably, an unknown delight, except maybe to those who are former students.

We met at the Sainsbury Centre, and for those who don’t know, this is not another supermarket but an amazing building designed by the then relatively unknown architect Norman Foster in 1974, which houses an extraordinary collection of art. Our tour began at the west end of the building where woodland curves round behind a grassy area. Four magnificent sculpture are sited here and you might be forgiven for thinking with such an acreage why are they not more spread out across the rest of the landscape. The simple answer is that it is only on this small site that no planning permission is required but because it is a public park, planning permission is needed anywhere else. It had never occurred to me before that you might need planning permission to erect a piece of art.

All the pieces are on loan and it is the bronze head created in 1997 by John Davies (b1946) and positioned just at the edge of the woodland that you first see. By the nature of its position you feel it must be looking towards the glass facade of the building,

however on closer inspection the eyes appear from this monumental head to be looking at nothing in particular.

Nearby is a Henry Moore; surely no sculpture park is complete without one and perhaps it was through Moore’s sculptures that so many of us were introduced to the abstract art world. ‘Draped reclining woman ‘ is cast in bronze and dated 1957-58.

So utterly different from Moore’s familiar form is ‘Sun’s roots II’ by Phillip King (b1934) who actually spent a year as an assistant to Moore. Over the course of his career he exhibited all over the world and worked in a variety of media;

this is painted steel and is influenced by his time spent in Japan. Sun meets earth and as you move round …

… the piece seems to flow, move a little and bend too.

There is also movement from this static couple, ‘Pair of Walking Figures – Jubilee’. They are the final sculpture in this space created in 1977 by Lynn Chadwick (1914 – 2003). Walking towards the Centre,

together they seem intent on visiting the exhibition, currently Art Noveau, and I know they will enjoy it, for it is a dazzling display. Their cloaks ruffle and flow behind,

abstract but expressive, their flat faces are expressionless whilst their bodies hold an air of elegance, perhaps best not to step in their way.

We walk along the south side of the exhibition centre. It is empty of people right now but during lockdown the park became a delightful escape for many Norwich residents. As a consequence the university is having a rethink about the park and its sculpture and an exciting new project is in the planning to increase the number of exhibits and ultimately create the best sculpture park in the country.

Tatlin’s tower stands prominently. After the Russian revolution Vladimir Tatlin (1885-19530) was charged by Lenin to implement his campaign to replace monuments reflecting the Tsarist period. Tatlin proposed an abstract design that would not only commemorate the revolution but also to serve as the headquarters of the Third International or Comintern. The monument was never realised and this is a reconstruction ‘Model of the Monument to the Third International’

We have arrived at the east end of the Sainsbury Centre where we find Lynn Chadwick’s three beasts captured in various states of action; on the left is ‘Crouching Beast II, in the middle ‘Beast Alerted I’ and on the right ‘Lion I’

They were made in 1990 from welded sheets of stainless steel. Chadwick is said to have delighted in the properties that steel afforded, feeling that no matter how dull the weather some facet of the sculptures would catch and reflect the light. As the sun fades the beasts certainly demonstrate that quality.

How fortunate these students are to be able to gaze upon these sculptures as they go about their studies on campus. Moore’s ‘Reclining Figure’ was acquired in 1962 and I am sure has enjoyed many an undergraduate’s prank.

Sir Denys Lasdun designed the Ziggurats which were completed in 1968. They are unique, pieces of art in their own right, and nestling into the landscape, they are in fact the students’ residential quarters. Placed in front of the Ziggurats is the large tubular metal structure painted in matt black and created in 2006 by Ian Tyson it is appropriately named ‘Proximity’.

I had never been down to the lake; it is a vast expanse set below the Ziggurats.

At the water’s edge are Dame Elizabeth Frink’s ‘Mirage I and II’ (1969). These extraordinary shapes were inspired by seeing the heat hazes and flamingoes in the south of France. No heat haze this evening but these part-bird and part-human structures still appear to shimmer.

Looking back towards the university buildings there on top of the central library is Sir Anthony Gormley’s figure ‘Another Time II’. Gormley might be considered as a local now that he lives in Norfolk.

There are actually three of these cast iron figures which were created in 2007, but before we ascend the stairs up to the library level in search of the remaining two, we encounter ‘ Extrapolation’ a structure of ascending steel plates which was originally created for Norwich Central Library in 1982 by the American born artist Liliane Lijn.

At the top of the winding concrete stairs we are met by a little surprise of ‘Another Time IV’.

and over up on the roof of the Biology Department is ‘Another Time II’. Using casts of his own body, Gormley personally selected the locations around the campus.

The pamphlet describes these figures as ‘thought-provoking and uncanny offering spectacle and surprise’, it is a description that could be afforded to all the sculptures in the park .

We end our tour, and close by the car we catch sight of the third Moore ‘Two Piece Reclining figure No 3’. Solid and familiar it is indeed thought-provoking.

The sculpture park is open to all and is free. It is a space to visit and watch with interest. The Sainsbury Centre is a spacious building and for this reason was the first gallery to re-open after lockdown. For further information https://sainsburycentre.ac.uk/

Paget House, an inspired modern design, near Saxmundham, Suffolk

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Last Saturday I combined calling in on my cousin with a visit to an intriguing garden open for the National Garden Scheme. Entrance was by slipping through the back gate into an informal area, and for a moment I wondered if I had come the right way.

The plan eased my mind and was a promise of greater things ahead, and as with so many gardens open for the National Garden Scheme it did not disappoint. The modern house built by the owners some 9 years ago is in the shape of a cross and is very much at the centre of the garden.

This cross shape in effect dictates the layout of the garden marking out four separate but connecting gardens. Walking down across the roughly mown lawn, I come to west side of the house where raised beds are filled with vegetables and flowers.

It is a marvellous idea to place the productive side of the garden so close to the house rather than banishing it to the far reaches of the garden. It must be a real joy and so convenient to be able to just step outside and pick your vegetables,

and to enjoy the scent of those heavenly sweet peas.

I step through the wooden covered walkway which extends out like an arm from the house and cleverly acts as a division.

Here there is a quite different feel. An informal pond is the point of focus, making good use of this northern aspect. A striking sculpture by Paul Richards sits between pond and house. It must be a delight to watch the visiting wildlife from the comfort of an Adirondack chair.

Further away from the pond is a semi-circular border is bursting with colour;

familiar favourites in amongst the bright crocosmia such as this delightful salvia,

and rich hemoracallis.

Away from the house paths lead between mature trees,

and meander through the long grass,

where there are delightful places to sit and chill. It is as though these two decorative deck chairs are having their own dialogue.

The front door of the house is on the east side where the drive sweeps in, and alongside the yew hedge is softened by sections of ornamental grass.

On the other side of the drive is an arbor which leads you into a secret garden,

where a Lutyens bench sits majestically behind a table. The hand sanitiser a small sign of the times.

The planting by the front door is soft and free flowing.

Romneya coulteri, the Californian tree poppy steals the show with petals like finely crumpled tissue paper,

and the pot plants tumble through the front door.

You don’t really appreciate how much this house is on a slope, and now, on the other side of the house and through the door and up the steps, the mood changes again.

A mixed native hedge runs along the boundary on the left hand side and fruit trees grow in this wild meadow,

contrasting with the informal but careful colourful planting next to the house.

Paving and plants wrap comfortably around the house. Familiar favourites which include lavender, gaura, perovskia and verbena.

Agastache ‘Black Adder’, Mexican giant hyssop is particularly at home here.

Each side of the house moves effortlessly out into the garden and each side is subtly divided. The wall is smothered in delightfully scented trachelospermum jasminoides and on through the open door,

I am back where I started in the vegetable area.

It has been a delight to see this garden so thoughtfully designed and such an integral part of the house. Wildlife-friendly, it is a pure pleasure and a moment of freedom for all of us in these strange restricted times.

Each Monday a variety of gardens to visit are uploaded onto the website www. ngs.org.uk So why don’t you find one near you, pre-book a ticket, and Help Support Our Nurses.

——-2020——

Furzelea, a fantastic fusion of flora.

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It is always a delight to find a garden gate open for the National Garden Scheme on a Wednesday. So on my way to pick up some items for my own garden from Lime Avenue Antiques https://limeavenueantiques.co.uk/ I called into Furzelea at Danbury near Chelmsford in Essex.

As I entered the enforced one way system my eye is drawn to the beautifully trimmed bay leaf, and already in my mind I have re-shaped my dull specimen at home.

Weather-wise it was not really a day for garden visiting but the good thing about the ticketing system is that you have already purchased the ticket so you might as well go. And I was so pleased that I did.

It is a joy to come across a plant that I am unfamiliar with, and there it is at the beginning of my visit, Acacia baileyana Purpurea; sadly my camera skills did not do justice to the silvery purple feathery leaves.

We are directed to the east side of the house, where dainty diascia mingles amongst the rosemary and tulbaghia around the foot of the wall.

Opposite, through the arch, we are drawn to the gap in the hedge which has the effect of extending the path until you realise it is a mirror cleverly placed in the ivy.

It is such a good idea to have the productive part of the garden so close to the house and not far down at the bottom of the garden. Just imagine nipping out to pick a lemon for your g & t before munching your way through a little something with fresh cucumbers, followed by bowlfuls of raspberries.

The path meanders away from the greenhouse down through

such a pretty palette of pinks and purples.

You can take an alternative route down the steps from the terrace by the house through the arch to the lawn,

where curvaceous edges guide you onwards with such rhythm and movement, swirling you around well-planted beds and wonderful shapes.

You can trample the camomile steps down to the little pond or continue round on the lawn,

where you can admire the Angels’ fishing rods Dierama pulcherrimum, dangling daintily over the water.

An arch of golden hop with its shaggy boot of ornamental grass Hakonechloa macra ‘Aureola’ makes an entrance to the narrow path made from nut shells collected from the two copper beech trees in the drive.

Roger and Avril have lived here for nearly forty years and it is so hard to believe that this spacious area was once an unkempt field where their daughters’ ponies grazed. Tucked away down in the left hand corner the clipped topiary twirls highlight

a fine thatched summer house which provides the perfect place to sit. I wonder if Roger and Avril ever find time to sit in this plant-packed garden; they employed no help doing all the work themselves.

This area is so cleverly divided; an island bed with a purpose and a magnificent array of planting.

The plant combinations in this garden are a noticeable feature and they are superb. Behind us in this long border there is a blend of yellows not just in flower but also in leaf.

The garden also opens earlier in June for the display of roses and as I walk back up towards the house I can imagine how lovely this arch must have looked.

On this dreary day there has been no shortage of colour, a haze of rich burgundy from the cornflower which have happily self-seeded in this part of the garden,

and the roses may be over but the clematis are clambering for attention; either softly adorning a pergola,

growing through the metal support at the back of the border,

or simply scrambling through the wisteria against the house.

Before we leave we make a final visit to the pond where we are reminded that it does rain in the east,

and from the terrace situated by the back door there is a misty view over the garden.

Government guidelines have put the serving of refreshments on hold. So, never wishing to leave a garden empty handed I turn to Roger’s plant supports which he has been making in aid of the National Garden Scheme, this year he has raised an incredible £900. Well, you never have enough supports.

You can visit Furzelea this coming Sunday and it is so easy to purchase a ticket: https://ngs.org.uk/shop/garden-tickets/east/essex-furzelea-sunday-12th-july/

——-2020——-

38 Chapel Street, Ely

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Hurrah, the National Garden Scheme has begun to open some of its gardens. The system has changed a little and I had to go the website to pre-book my ticket online beforehand, which was perfectly easy and I found a small garden in Ely. It is such a long time since I have been anywhere so I was quite excited and having made my online purchase I was not going to let the cold miserable rain put me off.

Ely was void of the usual tourists and after managing to remember how to manoeuvre my Mini into a convenient parking slot I walked up the street towards the Cathedral, the grey clouds were pretty threatening.

It was a windy day and by the time I reached the cathedral it was blue sky.

Number 38 is minutes from the historic centre and as I walked along the residential street I received a warm welcome from the roses. The original plan was to open with a group of other gardens but coronavirus prevented this from happening.

The gate was open with a plant stall in front, and garden owner Julia had been busy raising and selling plants during the lockdown making over £600 for the National Garden Scheme. Julia is a retired nurse and she believes this is her way of helping.

I hurry down the west side of the bungalow, as that sky does not look too good.

A garden on heavy clay and with Ely’s dry climate this is surely a welcome load,

despite the threatening clouds there is a sunny feel to this secluded back garden. Julia and Peter have lived here for three years working hard to restore the garden from a jungle of ivy.

For her 80th birthday, family and friends gave Julia the materials and labour to create a rock garden on a dry piece close to the house.

Here grow all sorts of treasures; a bright horned poppy with glaucous leaves,

the enchanting Dianthus cruentis

and a fishy friend.

Beyond this area is the fountain and the glaucous theme is repeated around the base.

The roses have been truly floriferous this year and here is no exception. Through the arch, I walk into a little fruit area

and come face to face with some ripening greengages. The bungalow was originally built on the site of an old orchard and several fruit trees remain providing an abundance of apples, plums and quince.

Returning through another arch I am back into the main garden where there is an explosion of colour reminiscent of the sixties, those classic summer plants roses, alstroemeria and delphiniums.

Roses planted by previous owners are blooming everywhere mingling with shrubs including the sweet-scented philadelphus.

Over in the corner are the raised beds, the perfect size for vegetables, and close by is the all-essential greenhouse where Julia’s skills raise many a plant.

The garden is well screened being surrounded by mature trees, and several wooden arches provide height and interest. Here it is a perfect support for the pink climbing rose, and the yellow jasmine fruticans is pure joy.

Wafts of honey fragrance fill the air and I know it is not from the jasmine but am unsure where it is coming from until I discover this lovely unusual viburnum japonicum just by the house.

There is a convenient one way system, and along the east side of the house a border has been designed to give form and foliage colour,

with astrantia major popping up below to add to the colour.

Out in the front again where the Judas tree is in full leaf, salvias, geraniums alstroemerias are just a few of the plants in this dry open space.

This small daisy-like perennial Erigeron karvinskianus is so useful for softening those hard areas.

Garden owners are prohibited from providing teas, and it is a blessed relief to those of us who have added centimetres to our waist lines during the lockdown. So I head for home, the recommended distance for visiting is about 20 miles, and I must admit to have slightly exceeded this suggestion, but for those of us living in rural places the requirement might have to be more. However, you must remember that no facilities can be available and on the way home I was glad that my journey was not longer and next time I will remember not to have that second cup of coffee before I set out.

Gardens will be uploaded each week on http://www.ngs.org.uk where you can purchase your tickets. If you cannot get to a garden or do not wish to venture out, why not enjoy one of the NGS video virtual tours?

There has been no greater time when we need to support our nurses, and the all-round benefits of visiting a garden are huge.

——-2020——-