Gardeners

Bolfracks; how to garden on a slope

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A few weeks ago I was staying near Aberfeldy in Perthshire and having walked the delightfully rugged ‘Birks of Aberfeldy’, I decided to visit the tamer landscape of a garden open for Scotland’s Gardens Scheme https://scotlandsgardens.org/bolfracks

Bolfracks, how could I resist with a name like that, is open everyday from 1st April – 31st October. You enter through the summer house, look at the map and take the path which rises steeply behind.

A druidic specimen of an evergreen conifer Cryptomeria japonica, confronts us and with a twist of the trunk beckons us on up the slope,

where we find the graceful Acer griseum; we pause for a moment, breathe in the scent of autumn and take in the distant landscape emerging through its ascending branches.

It is so much about trees at this time of year, and where better do the birches grow than in this part of the world. This is the Chinese red birch Betula albosinensis.

There is plenty to see on the autumnal ground; curious cones,

the bewitching but poisonous white goblets of Colchicum autumnale ‘Album’,

and another little toxic gem, that iconic toadstool, the fly agaric Amanita muscaria.

Identified on the map and to the right of the path is the Old privy, a ruin now it provides comfort only to a variety of ferns.

A little further up the path is the pond where giant leaves of the Gunnera almost hide the dark peaty water where water lilies bloom. It rained all morning and now the sky is a generous blue revealing the distant hillside.

The well-made steps take us gently further up the garden. They are an art form in themselves.

The lichen clambers eagerly up the trunks of the trees, a sign of the air being so good here,

it is an intriguing plant remaining this soft silvery shade of green all year round, it grows everywhere.

We weave in and out of the different areas, stepping through the gentle sleeping lions into the area known as the burial ground,

not for a moment a sombre place, but an area rich with colour of the maples that are beginning their autumnal display; how do they manage it ?

There is a touch of the alpine as we come to the Wendy house, but catching the sound of the distant stags beginning their rut we are reminded that we are in Scotland.

This is not a young garden, there are many mature shrubs; well planted, with much to see throughout the year. Plenty of engaging features like this wooden bridge,

a variety of dry stone gateways,

and flights of sturdy stone steps, through the moss-covered walls,

until we have reached the summit, where the path traverses along the top of the slope and with joyful colchicums growing under a multitude of roses that promise to bloom again next summer.

A path descends back down to the house, an herbaceous border running alongside showing that summer is not yet over, as there are still splashes of colour. The long descent emphasises the steepness and shows what a masterclass of gardening it is on a slope.

This garden was created during a time when teams of gardeners were in attendance, times have changed and it is easy to understand the need for modern maintenance, perhaps forgiving the slightly shaggy appearance of the lawn only to discover the mowing machine has crash-landed in a flowerbed;

maybe modern mowers are distracted by the appearance of a rainbow, even though it is somewhere over the River Tay.

There is a wide variety of Rowan trees that I did not know existed, this beauty is Sorbus sargentiana.

We leave the long border of rugosa roses running along the bottom of the garden, their ripe and delicious shiny red hips glowing with late summer happiness.

The garden has opened for the Scotland’s Gardens Scheme for some 47 years, with a change of owners in recent years it is admirable that the present owners still allow us to visit, and it is a delight.

Eucryphia rosetrevor

********October*******

The Garden Museum

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If you find yourself in London and you simply can’t face the noise and swirl of shoppers and traffic then I can recommend a quiet visit to the delightful Garden Museum located south of the river in a church right next door to Lambeth Palace.

The Church of St. Mary-at-Lambeth was made redundant in the early 1970s. Boarded up and ready for demolition it was fortunate that Rosemary and John Nicholson visited the churchyard in search of the tombs of the gardeners and plant collectors father and son John Tradescant . Subsequently the Nicholsons formed the Tradescant Trust which basically saved the church and converted it into the worlds first museum dedicated to Garden History. Glass doors quietly slide open doing away with that hideous clerical creaky door syndrome….

….inside it is spacious and well lit; a fantastic use of a parochial building, modern but without destroying that old ecclesiastical feel.

Delighted that my Art Fund pass ( https://www.artfund.org/national-art-pass) allowed me half price entrance I headed for the small room to the side which holds the present exhibition on the life and career of Humphry Repton (1752 – 1818).

Last year was the bicentenary of Repton’s death and there has been much research undertaken. This exhibition brings together objects, watercolours and some 24 of his Red Books. These leather bound books were his designs, works of art and a clever marketing tool for his commissions from clients up and down the country. One book stands out that is the grand design for Brighton Pavilion, yet it proved to be a commission Repton failed to win possibly due to the fact that he failed to respond quickly enough; you just cannot keep Royalty waiting.

Included in the exhibition is a short film, a clever digital animation bringing the art of Repton alive; the smoke seems to drift away in the far distance and with the soothing narration from Jeremy Irons you feel you are part of that landscape.

What I really enjoyed about this exhibition is how Repton’s legacy lives on. Although after his death he seems to have been rather forgotten in this country, he became a role model for American landscape architects who wanted to combine the design of buildings and landscape with horticulture and the science of transportation. Repton had advised his clients of the importance of ‘The approach’ incorporating it as a feature in the landscape. He was very interested in travel, enjoying roads as ‘a constant moving scene’ and felt they should not be hidden. His ideas influenced the design of the carriage rides in Central Park, New York.

‘Others prefer still-life, I delight in movement’ and Repton realised that we observe landscape at a fast pace (even from a carriage) very often from the curving sightline of a road and this theory of optics was applied to the new roads being developed for Americans to enjoy their scenery such as the Parkway and the Sky Drive.

With his ideas of integrating architecture and landscape, Repton became a major influence on Denis Lasdun, he of University of East Anglia fame.

A small photo shows Lasdun visiting Repton’s grave (which Repton designed himself) made into a Christmas card that I realise was sent from a family I had known in my childhood and suddenly I too felt I had made a tiny connection with the great landscape designer himself.

With much still to see of the museum I hurried on past a group being shown the Walcot room, a small library tucked behind the rood screen,


just glancing up at the little stained glass window above.

I moved on into a small room that houses a collection of ‘curiosities’. These items were collected by John Tradescant, gardener to Robert Cecil and later to King Charles 1. Tradescant created Britain’s first Museum not far away in Lambeth which became known as The Ark. Lawyer, friend and neighbour Elias Ashmole published a catalogue and when Tradescant junior died the collection was bequeathed to Ashmole and became the foundation of the Ashmolean Museum.

 Such items range from the cast of a Dodo head,

the rather quirky Barometz or ‘Vegetable Lamb’ believed to be half-lamb and half-plant from the 18th century,

 a glittering collection of shells,

to a Herball by John Gerard dated 1597 in which over 1,000 plants are described.

It is a very active museum and I suddenly realise that Elias Ashmole is speaking to me.

Upstairs is a glorious collection celebrating British gardening through the years. Suitable for all ages it is a delightful mix from paintings…

 a portrait of a relaxed Prince Charles greets us at the top of the stairs.

Many famous people connected to gardening have contributed archives and objects and it is a wonderful eclectic mix. Amongst the many items in the collection is a gardening hat belonging to garden designer Nancy Lancaster (1897 – 1994),

a Certificate of Good Service in the Women’s Land Army, yes that is all they got after ten years hard work.

And wouldn’t you have longed to give your wife this glorious lawn mower.

Amongst the displays are interesting information boards on a variety of plants – not too many just enough to realise the serious side of gardening.

and of course there just had to be a jolly old gnome.

From a small window in the Finnis Scott Gallery where you can become totally absorbed on the works of the Artist gardeners, you can look down and once again remember that you are in a fine building .

There is a good display of plans executed by various Garden Designers over the years, this masterpiece is by Sir Geoffrey Jellicoe (1900 -1996).

Video clips introduce us to influential landscape architects like Charles Jencks.

 At the other end of the raised gallery there is a fine collection of tools;

a 17th century glazed earthenware watering pot,

and even a standard potting shed with audible displays of the stories of six people and the different ways they have utilised their sheds.

The shed comes complete with a fine weather vane.

Within the walls of the museum is a small charming courtyard garden designed by Dan Pearson; all the plants growing are helpfully listed in a book,

and it is here that the fine tomb of John Tradescant can be found,

surrounded by a variety of all-year-round plants including the bright berries of Nandina domestica which reminds me that I still have not purchased this beautiful shrub yet.

Sadly on this occasion I do not have time to visit the award-winning restaurant; it is buzzing and smells divine and I can really recommend it from a previous visit.

The Garden Museum is a charity and the National Garden Scheme annually funds a trainee gardener here. Before today I had never really thought about the definition of a gardener, but the museum informs me that the first recording was ‘Edmund the Gardener’ who worked at Windsor Castle during the reign of King Edward l. In 1605 the profession was recognised by James l “for the trade, craft or misterie of gardening” and an apprenticeship took 7 years. By 1914 there were over 4,000 Head Gardeners in this country. And now?

The Garden museum is open most days but you can check for opening times on the website: https://gardenmuseum.org.uk/ do make a visit and take the children they would love it.

——-2019——-