It was on a sunny day in late May that I visited College Farm, Haddenham, not far from Ely in Cambridgeshire. Described in the Handbook as having walks, gallery and a sculpture cattle yard, it was looked to be an artist’s home.

A well organised operation was in force for car parking and, having left mine in the very long grass, I was grateful for a dry day.  Passing the pond and buildings I proceeded on the first walk in the field opposite.

A white stone penguin pointed the way…

Followed by an owl…

Then further birds continued to mark the mown path,

until I reached the sundial. A couple were seated on the bench there,

waiting to see the kingfisher and enjoying the sound of chattering sparrows in the hedges behind the wild pond.

Returning along the same path, I walked into the farmyard where a collection of sculptures was displayed under the cover of the old buildings.

Pots of Sweet William softened the hard landscaped yard.

Curly corkscrew hazel, salix matsudana ‘Tortuoso’ just seemed to grow out of the concrete.

Pushing through the elderflower and willow I found more art displayed in a cattle shed.

On the edge of the yard the lupins in the flowerbed provided a splash of colour,

whilst the archway beckoned you to follow the path into the meadow beyond.

A bank of oxeye daisy, pale coloured lupin and hazel, framed the view towards the grazing cattle.

Along a small ridge is the ‘Top Walk’ where I find the same couple who were sitting by the pond have beaten me to this bench.

No doubt they are enjoying the fenland view towards the neighbouring church of Sutton.

Rugosa roses are planted in groups along the walk, papery white

the bright pink, which is favoured by a bee.

There are wild roses too.

I follow the path back to the meadow in front of the house. This lady has the best view of us all.

Visitors flowed through the fields following the paths amidst the long grass. This path led directly back down to the house.

A line of silver birch trees, some weeping and others upright, have been planted in the field.

Near to the house a ceramic sculpture hanging from a mature tree catches the light and reflects the assortments of greens that surround it.

An archway of roses leads you over the stream to the lawn in front of the house.

Looking back you can see it links the long grass of the meadow to the mown lawn by the house.

The pond, probably once trodden by cattle, has water lilies flowering at one end with the silvery willows reflected in the still water.

Water spouts from a little fountain in a smaller pond.

I meet Poppy the friendly resident JRT; she must be in heaven living here.

After visiting the gallery attached to the house, I return to my car passing  an artist’s palette of roses covering the wall of the farm building.

Again I bump into the same couple that I seemed to have followed around; we comment on the fact that it is unusual and indeed one of the few NGS gardens that we have encountered that does not serve tea. Of course it is a benefit for those of us who eat far too much cake, however on this hot day, that cuppa would have gone down well.

Feeling that we have passed the awkwardness of strangers I dare to ask if they have enjoyed the garden; a tiny pause is followed by their question of “What is a garden?” It is not until I return home that I find the answer to the question; Wikipedia says:

A garden is a planned space, usually outdoors, set aside for the display, cultivation, and enjoyment of plants and other forms of nature. The garden can incorporate both natural and man-made materials.

College Farm certainly filled that criteria; an artist’s garden displaying variety and talent, enriched by the natural farm setting.

Last Wednesday I visited Kettle Hill, situated high on a hilltop on the North Norfolk coast at Blakeney,  It was an event organised by the Norfolk Gardens Trust, an interesting body set up in 1988 concerned with the preservation of gardens and landscapes within the county http://www.norfolkgt.org.uk.

The garden looked glorious on this last day of May and it was a visit everyone could not help but enjoy. It was also an opportunity for me to visit the garden ahead of its opening for the NGS this coming Sunday.

Not just any old garden gates, these impressive posts topped with eagles lead us through from the parking area to a mediterranean courtyard.

A handy peacock proudly greets us in the corner,

and an oval mirror provides a characterful focus amongst the roses.

Paved pathways provide easy access for all. Mrs Winch, the owner is very much in evidence, she chats to guests as she glides around the garden on her electric scooter. We take the left hand gate and walk into the walled garden.

We are delighted to find Tamara Bridge hot foot from her recent success at Chelsea. She was the 2015 RHS Young Designer of the Year and has worked her charm at Kettle Hill, contributing to the design originally made many years ago by Mark Rummary.

There is an elegant place to sit in this sheltered garden, either in the shade under the cloud pruned trees,

or in the sun in front of the summer house.

Generally the planting is of subtle tones but just occasionally there is a  splash of colour,

and architectural silvery giant.

Mrs Winch explains that this shaded area was full of white flowers back in the spring.

This is a pretty cool water tower, and I wonder if is it the only one in the country to be painted in pink?

I am not sure what is behind the lattice fence and mirror but they provide a bit of fun and cheer up a shaded corner.

Through the branches of the tree you can see Morston Church in the far distance.

We decide to follow the woodland walk over the mound where bluebells have finished flowering, and there are fine places to sit and rest in the shade.

Tucked away is a secret rose garden which is home to a very realistic-looking peacock.

Walking past the antique urn that stands majestically on the edge of the wood,

we follow the path between the fields, effectively lined with pink and white campion it brings us up to the borders by the house.

Beyond that hedge is a coastal landscape whilst within it is a sheltered area planted with an abundance of roses and herbaceous perennials.

The roses are at their best and Tamara has hidden their feet by planting with veronica, alchemilla mollis and alliums,

making a delightful tapestry of colour,

which ever direction you look.

The striking fox tail lily, eremurus grows tall and remarkably straight.

A perfect place to enjoy that irresistible coffee and walnut cake.

More majestic eagles grace the steps,

which lead up to the parterre where a delicious tea is being served.

Visitors are very content. The joy of garden visiting is you can relax in someone else’s garden, after all, who has time to do that in their own?

The deep pink rose looks charming climbing against the cream walls,

and honeysuckle mingles with hebe.

Topiary appears all around the garden either in the borders, by the house

or across the lawn where they frame the seat.

Magnificent roses everywhere too, this one trained over the arch is waiting to burst into action.

Every where the colours are carefully chosen; soft and easy on the eye they in blend easily.

I never thought I would see a blue Himalayan poppy, meconopsis growing in Norfolk.

Combinations are pleasing like actinidia and geranium.

There are plenty of fruit trees and this little shaped pear seems happy in his pot.

It is time to depart and on our way out past the house we admire the crisply clipped topiary,

but find no sentry in his elegant box today.

It has been a delightful afternoon in this hidden gem of a garden. We have enjoyed the variety of spaces, Tamara’s artistic planting schemes and the stunning views to the sea. This is a must on the ‘gardens to visit list’ and it also has the added bonus of most of the paths being accessible for buggies and wheelchairs.

The garden gate is open for the NGS on Sunday 5th June 11am -4.30pm.

Presumably named because of the bell-shaped gable, the garden gate was open in Wilburton, a village off the A10 just north of Cambridge.

Open for both Saturday and Sunday 20th and 21st May, for the second year running, the entrance was down the side of the house.

After being welcomed by the owner, we nipped under the shade of the cherry tree and, guided by a line of potted hostas, we stepped onto the bark path and into the garden.

It was like entering an elegant reception area, freshly decorated with generous seating and flowers on the table.

From this terrace you can look out onto the garden.

But first we take the path around to the small walled garden on the side of the house where we find a secret space overlooked by the church of St Peter.

Low box hedging and clipped bay bring structure to the planting,

whilst aquilegia sows itself daintily around the paths.

Coming back out of this intimate area I am delighted to find a neatly positioned ramp which takes you down a level to the lawn. Having for many years pushed a wheelchair and struggled with slopes I wonder why more gardens couldn’t possibly take the trouble to be a little more friendly to the disabled.

The owners  moved here in 1980 when the garden was just a field. The west side was permanently boggy so they dug out and lined the pond with clay. Richly planted it looks as if it has been there for ever.

There are plenty of mature trees and the group of ash makes an obvious site for a tree house.

A more recently planted holly has been encircled with box.

Leaf fall here must be great for the bin is quite a structure.

The flower parterre is positioned at the far end of the garden, where bearded irises beckon us over. Enclosed by box it is of mixed planting,

with a central path running straight to a bench.  Clematis scramble over shrubs and

climb up unfussy metal supports.

It is shipshape all around the garden and even the spare bricks are stacked precisely. Oh to be so tidy.

A Viburnum seen from across the water appears to imitate a waterfall, in the foreground along the water’s edge grow blue irises and a striking arum lily zantedeschia aethiopica. The lawn is carefully edged with brick.

There is plenty of colour, a splash of early yellow honeysuckle,

and the roses are blooming so early this year. It is a joy to find them clearly labelled and although the labels may not be permanent, at least you can see what is written on them.

So this has to be Fruhlings Gold,

 

 

 

 

 

 

dear Penelope

and gentle Alfred Carriere.

 

 

 

 

 

 

Clean wheel barrows are poised for action. The detail of the paving is fine and well proportioned.

It is an architect’s garden and her studio too is conveniently in the garden. It is open today and it is a delight to wander around.

We are back at the beginning, looking at the steps which lead down from the ‘reception area’.

It is amazing to think that 37 years ago this one acre plot looked like this.

With an architectural eye and a surveyors’ skill have it has turned into a horticultural haven……….

——-42——-

 

 

 

 

 

 

 

It is the NGS festival weekend.  The very same weekend when 90 years agoa hundreds of gardens all around the country opened their gates to raise funds for district nursing. It is amazing to think that since then the charity has raised over £50 million and is still running.

The garden gate is open at Stiffkey, a village on the North Norfolk coast. It must be one of the only rural NGS properties to be on a bus route, the Coastal Hopper conveniently stops just outside the gate. For car drivers the view from the car park towards the sea is breathtaking. I was fortunate to visit a day or two ahead of the opening.

The owners have been here since early 2000s and it was Arabella who showed me around.  We began our tour on the other side of the drive where a walled garden has a neat lawn, a small area for vegetables and a border waiting to burst into colour.

The 19th century house sits up on a chalk ridge. Surrounded by woodland the garden is about 7 acres.

Alliums, aquilegia and irises are the predominant flowers; the dark irises by the house are set off by the pale brick behind.

The sculptured dog lies lazily on the lawn looking intently up at the house.

A series of terraces run down in front of the house. The blend of purples and blues is enriched by the bright pink of gladiolus communis subsp. byzantinus.

A path runs along the the middle terrace where stipa gigantea floats in the breeze, it is beginning to turn golden already. My photography on this bright day does not do justice the colourful display.

Purple-tinged shrub of forest pansy cercis canandensis grows at either end of the lowest terrace where salvias will take over from deep blue irises. Salvias are the speciality of David the gardener who propagates hundreds of varieties at his home.

At the base of the terrace is an informal meadow that slopes gently down to a wooded area. Sicilian honey garlic, allium nectaroscordum siculum can just be seen dotted amongst the grasses.

Paths lead through the surrounding wood. It is a circuitous route through dappled shade, for some distance the lonicera nitida hedge has been clipped informally.

David believes in a good planting of ground cover and all the way through it is dense; ivy, lamium and wood spurge cover the woodland floor.

In small clearing sticks are stacked into a wigwam.

This hedge is truly dead, it is intentional, an idea inspired by Kew Gardens, felled branches and wooded debris are stacked between fence posts. This is a process which has been carried on for several years and saves endless bonfires.

There are plenty of places to sit either in the shade,

on an elegant bench sheltered from the sea breeze,

or lying back in the baking sun.

It is fun to have new ideas and the intention in this  border is to have topiary, perhaps a flight of poultry.

The circular brick is a work of art. Step on to it before walking through the trees to a viewing point looking out to the sea.

Paths are mown around the patches of long grass, a sculptured ram peers out.

A Wollemi pine is growing well in this sheltered coastal garden.

David shows me his cunning slug trap; he places the pellets inside and quite simply the slugs and snails crawl in.

A variety of shrubs grow around the garden; pretty in pink is the deciduous indigofera with its upright racemes.

Bushes of abutilon vitifolium brighten a shady border,

The scent of the philadelphus tomentosus is delicate.

and against a wall summer jasmine is already coming into flower.

Whilst there are several colourful nodding heads of aquilegia many have been sadly wiped out by downy mildew.

I particularly admire this white one.

There is another little problem in the garden that attacks the plants. Muntjac deer nibble the new shoots particulary the geranium palmatum.

Still on the pink theme mat-forming perennial Phuopsis stylosa spreads out across a paved area.

The bunting is up and ready and the garden will be open TODAY from 1pm -5.30pm.

There will be two more gardens open in Norfolk today: Bank House , Marshland St James, which is in the Fens and The Old Rectory, Brandon Parva not far from Norwich.

All over the country gardens will be joining in the Festival Weekend so why not download the App or click on https://www.ngs.org.uk/ to find a lovely garden near you. You will have fun, maybe learn something new but most of all you will be contributing to charity:

——-41——-

 

The garden gate was open a few weeks ago at Bolwick Hall, Marsham some 8 miles north of Norwich.

This is a garden attributed to Repton, and surrounds a late Georgian house. It is Repton’s tercentenary next year and further research being undertaken by the Norfolk Gardens Trust might reveal more about his involvement.

Bolwick was bought in 2003 by the present owners who have rejuvenated various areas. As you can see on the map it is essentially the lake that dominates the site.

Ironically it is the swimming pool rather than the lake which is the first water that we encounter at the entrance; an enclosed gravel garden with small box compartments. Hydrangea arborescens ‘Annabelle’ and lavender will bring colour in the Summer months.

Honeysuckle tumbles over an archway which opens out into a smaller courtyard.

The hornbeam arch leads us out to the lake side of the house,

where we arrive on the lawn to find an abundance of visitors. It is a happy atmosphere and people are clearly enjoying themselves. A Sunday when everyone wants just to get outside and relax in an English Country Garden.

There is plenty of space for visitors, who walk, sit and chat while admiring the view.

Even lying down to take in the serenity of the lake.

After chatting for sometime with a fellow NGS garden owner I go through the little gate to take the path around the lake.

It is mainly wooded so quite shaded in places. The cow parsley finds a clearing where it seems to dance in the dappled sunshine.

The water on the lake is still and reflective,

and it comes with its own elegant living sculpture!

I am drawn to the sound of rushing water by the weir.

No ground is left unexplored, visitors will look at everything. I wonder if it is actually an old mill, and perhaps it is this interesting fact that they are admiring rather than the decaying nature of this rustic edifice.

Returning to the path I duck through a series of bamboo tunnels.

A clearing in the wood reveals a magnificent mature oak.

Through the reeds I spot Mrs Swan a-sitting.

Children are loving this watery landscape and moving back toward the house there are several canals and bridges to explore.

Now there is a little more formality nearer the house; hedges are clipped and it is as if these two might be meeting for a quiet conversation.

Orderly rows of vegetables and a perfect line of poles, are firmly fenced.

Running along the side is a neatly mown path with summery borders stretching out on either side.

Old hedges line a network of paths that link the vegetable garden and tennis court to the house.

This charming hut revolves and in a former life it was used in a TB hospital in Mundesley where patients would sit and be turned gently to face the sun. (Walcott House blog 33 also has a similar hut). No patients nowadays, it is a perfect place to rest awhile in the shade; this couple are keen NGS supporters and we discuss the variety of gardens they have visited.

Growing to the side is the beautiful tree of Staphlea pinnata; I feel it is best to call it by the latin name rather than the slightly unattractive common name of bladder nut.

The perfect shape of verbascum olympicum grows contentedly in the dry gravel garden,

and you can’t beat the colour of montana ‘Broughton Star’ for a clematis growing against a wall.

A tree stump acts as an architectural full stop in a driveway.

It is the end of the day and the visitors have all gone; the bright pink bench is at last empty.

A perfect afternoon for families and friends, it has been a joy to see so many visitors relaxing in such beautiful surroundings and there is something here for all ages to enjoy. Parents from the local school have been in charge of the teas which has naturally brought many children here too; and what entertainment they have had exploring the lakeside paths, wandering through the wild woodland and cartwheeling on the spacious lawn.  What pleasure they have had while at the same time raising precious funds for their school.

Entrance for children to all NGS gardens is free.

Sezincote is a 4,500 acre estate which nestles in the gentle rolling Cotswolds. I drove down the long drive on a sunny day accompanied by my niece who has ridden over the land and knows this Heythrop Hunt country like the back of her hand. She had however, never visited in the summer and on a warm May day the park was looking overwhelmingly lush and lovely.

John Betjeman, in a poem refers to the “home of the oaks”, for Sezincote (pronounced Seezincote) is derived from Cheisnecote, from chêne, French for oak, and cot for dwelling.

Oaks of course are not the only trees to grace the park, there are several different species, mature and stately, many are from the original landscape planting,

It is thought that Humphrey Repton worked here and he alludes to Sezincote in some of his correspondence, however there is some doubt because of the absence of his  ‘red book’.

Before heading up towards the house we pause a moment on the Indian bridge to admire the Brahmin cows, then duck down to the left into the water garden known as ‘Lower Thornery’.

The house and gardens fell in to disrepair in the first half of the 20th century. In 1944 Sir Cyril and Lady Kleinwort bought the house and set about a restoration programme.  The water had almost disappeared so they made the pools waterproof and re-established the flow of the stream. They also sought the expertise of the great horticulturalist of the day Graham Stuart Thomas who continued to advise for over 30 years.

We follow the gravel path which runs parallel to the stream. There is an interesting collection of trees and shrubs, many of which are Thomas’s recommendations.

A Tibetan tree peony paeonia lutea ‘Ludlowii’  is looking particularly splendid today.

There is plenty of space for the specimens to grow, and the fact that they are not crowded is to our benefit; Cornus controversa variegata the wedding cake tree can be enjoyed from all angles.

The Japanese maple Acer palmatum ‘Dissectum’ is a lovely shape with a fresh soft green this time of year.

It is the natural Spring colours of white and green found in cow parsley, hawthorn and Horse Chestnut growing in the surrounding park, that are echoed in the plants in this beautiful little valley. The magnificent flowering bracts of Cornus kousa, 

the eye-catching spirea,

and a large clump of the softly scented maianthemum racemosum (smilacena racemosa) growing by the water’s edge.

Even the wisteria on the bridge is white.

By the path stands an aged tree, a weeping hornbeam carpinus betulus ‘Pendula’ which we discover is considered to be the largest in the country.

Walking back up the winding path from the lower pond we catch sight of the house across the field, magnificent with its weathered-copper onion-shaped dome.  It was built by a colonel in the East India Company in a mixture of Hindu and Muslim architecture, and was completed in 1805.

Continuing on the path up the stream we admire the generous plantings of the hostas mirrored in the still pool.

The clear water flows at varying speeds and here it narrows and gently burbles over rocks.

Just before the Indian bridge is the snake pool, named after the three headed snake which slithers up the trunk on the small island.

Evocative of a Mogul garden we step over the stones in the cool of the shade under the bridge.

The water is almost still here and the planting lush and verdant, a mix of hosta, brunnera, ferns and Lysichiton.

Blue comfrey brings a little colour to the water’s edge.

as does the spikes of primula vialli.

We reach the top pool where in the centre is a fountain spurting water. Above is a little temple with a statue of Surya. The water looks grey against the pale clay, and the plants are silver and white, a typically restrained Thomas touch.

Brahmin bulls originally made from Coade stone, are seated on either side of the temple.

and crumbling grey stone shells decorate the base of the surrounding wall.

Leaving the Temple pool we step along the Deodar grove, passing the house to the grotto on the far side. Slightly reminiscent of a fireplace it is surrounded by evergreens and ferns,

and inside on the floor is a marble slab engraved with an intriguing pattern.

Close by and up the steps is an exotic temple, not an 18th century wonder but a tennis pavilion built in 1961.

Before the war there would have been a team of 12 gardeners. The work force is much reduced now and we find the head gardener busy weeding. He is happy here and lives in a cottage set back near the old dairy overlooking the wildflower garden; it is in an enviable situation and away from the public.

From up high we view the house, the curving orangery and stately Persian garden.

As we descend the path the Spring colours are glorious and the architecture dazzling with minarets and peacock-tail windows.

Modelled on the Taj Mahal after a visit made by the Kleinworts, the design of the canal was created by Thomas who cleverly suggested the use of Irish yews rather than Italian Cypresses dominant of warmer countries.

Bright parrot tulips loudly adorn the steps to the Orangery.

And inside is a calming variety of tender shrubs and climbers. The beautiful window arches are adorned with the sweet smelling Trachelspermum asiaticum. 

It is the perfect place to take tea.

But we have no time today and so make our way back along the drive to the bridge, promising to return sometime to join a tour of the house.

Sezincote is a very curious and pleasing mixture of English Landscape and Mogul architecture. Unique, there is nothing quite like it and what better time to visit than when the garden gate is open for the National Garden Scheme on Sunday 25th June between 2-6pm.

——-39——-

I visited Pasture Farm, near Moreton-in-Marsh in the early evening. It is not a good time for photography, the light plays tricks and deepening shadows are difficult to avoid.

However it was lovely to see this fun garden which has been created and has evolved around a working farm over the past thirty years. Divided into a number of informal little areas, imaginative topiary pops up throughout the garden; these having not been bought ready-made but have been lovingly clipped into shape over time and often from a chance seedling.

Hare we are!  Sitting up magnificently either side of the front door with the wisteria climbing the wall behind.

The hen appears to be looking in at the window,

and there at the bottom of the garden in the making is an elephant with a swinging step.

Spirals and all sorts of shapes appear randomly in the borders, maybe an onion?

Birds are not all made from topiary, these crested metallic guys are keen to head for the pond. Being a working farm there is plenty of noise from our real feathered friends; chickens, bantams and ducks wander about freely.

In the garden is a derelict cottage. It reminds me of a centre piece in a Chelsea Show garden, but less fussy and unpretentious it provides structure for climbing roses and honeysuckle.

Whilst inside there is a gravelled mediterranean herb garden,

and the next door room is just the perfect place to dine.

Hedges are clipped tall and formally

or low, characterfully and smoothly,

and even lower, neatly and finely.

Box even skirts round the feet of the pretty apple trees.

There is a relaxed feel to the garden and pheasant eye narcissi are still in flower, growing in the long grass.

Areas are divided not only by hedges but also old walls; the gateway frames the view of the large copper pot filled with water and placed by the willow-leaved pear pyrus salicifolia ‘Pendula’.

Some plants grow big and architectural such as rheum palmatum ‘Atrosanguineum’.

Whilst others such as the maianthemum racemosum (formerly, confusingly, called smilacena racemosa) have a delicate scent.

A sumptuous mix of tulips give a jolly display.

and this Ceanothus looks attractive in the evening light against the crumbling Cotswold stone on the corner of the house.

A montana clematis climbs and tumbles on to the yew hedge

which has a window through which you can look and view the orchard beyond.

Jane is pleased with her new glasshouse where there is a massive industry of plant propagation. These will supply the plant stall at the Open Days which last year generated over £3,000.

In the farmyard are the steps up to the room where my niece lives and writes. She admits she is no gardener, but she certainly has the enviable skill of a writer and it is from here that great pieces of work for publication on eventing, hunting and all things equine are quietly created.

Vine and clematis eagerly compete to climb up the steps.

Across the other side of the yard angelica, euphorbia and rosemary provide a splash of green by a rusty old tank.

 

The barn has been converted into a modern living space and Jane is enclosing the area with hornbeam and cleverly softening the hard concrete with a variety of planting.

Beyond is a small meadow packed with wild flowers that will look a picture when the garden is open on Sunday and Monday  of the Bank Holiday weekend. Just out of sight is a working vegetable garden.

This is an informal country garden, which has unfolded over the years. It epitomises to me an NGS garden; privately owned, a family home and lovingly cared for by the owners themselves. A plethora of home-grown plants will be for sale and home-made teas will be served. With a choice of  two days it is surely one that should not be missed. The LLoyds will nobly be opening Pasture Farm on Sunday 28th and Monday 29th May from 11am – 6pm.

Last week I visited my niece who lives in the beautiful Cotswold countryside. It was a glorious sunny day, the first for sometime and so she suggested we visit nearby the garden of Bourton House. Surrounding  an 18th Century house it is in a fine setting.

The garden gate is open through the 16th Century Tithe Barn.

Actinidia kolomikta clads the wall on the other side of the Barn; known as the painted vine I fail to give an explanation on how or why it produces such colouring; in a vain attempt to sound knowledgeable I comment on the fact that it appears only on the mature male plants.

An elegant gates draw us further into the main part of the garden,

where we turn immediately left and walk along the path parallel to the wall which is lined with fun shaped topiary.

The scent of lilac fills the air in the White garden,

and the last of the tulips are still looking stunning.

The white theme is carried on in the gravel which glares in the sunshine, and the imitation white flamingo cools his feet in the water.

Elegant trellis is the backdrop to the wide herbaceous borders; the shape of the top is reflected in the hedging and metal work throughout the garden.

Purple-leaved cow parsley anthriscus sylvestris grows daintily amongst the clumps of perennials yet to flower.

The secluded parterre nestles in behind the glasshouse,

which is bursting with tender plants ready for summer planting.

Across the neatly mown sward and behind terraced flower beds is the 18th century raised walk.

Where ivy clad seats allow you to look out on either the gently rolling pastures,

where cattle graze in the distance

or back towards the architectural delight of  Bourton House.

Fastigiate beech fagus sylvatica Dawyck, reaches up to the sky along the boundary wall.

You might think this is a boat house but nowhere near water,  slightly sunken and slatted it is in fact a home to a variety of shade loving plants:

In particular the exotic and medicinal types of Asian May Apple are loving it here; podophyllum pleiathum 

and the glorious podophyllum ‘Kaleidoscope’.

It is afternoon and the intriguing knot garden is in dappled shade.

and an elegant oval pond is the centrepiece.

The stone exedra sited in the dapple shade at the edge of the lawn brings a slight air of antiquity. On the tree trunks behind the ivy is trimmed in a way which looks as if they are wearing boots.

Nobody normally wants ground elder but this variegation brightens an area under the trees.

On the roadside front of the house the topiary which looks as if it might have been whipped and piped twists around in a circular movement, the gardeners have just begun to clip it.

To the side of the house more box is clipped and shaped perfectly framing the scarlet tulips.

After taking tea outside the Barn and clutching bags of the most mouthwatering fudge,

we cross back over the road and walk through the  specimen trees which were planted in the early nineties. The trail begins with not so much an angel of the north but perhaps a cherub of the Cotswolds!

A sunny day always adds to the delight of visiting a garden but there is real horticultural perfection here. When I asked the Head Gardener how long he had worked here he replied proudly ‘as man and boy’. Through several changes in ownership, it is a testament to his skill that the three acre garden provides such pleasure and having first opened on a single Sunday in 1987 for the National Garden Scheme it has been winning prestigious awards ever since. This year the garden at Bourton House opens for the NGS on Sunday 18th August 10 am – 5pm.

——-37——-

Last Sunday morning we drove out of London via this garden in Muswell Hill. St Regis is a cul de sac and number 5 is tucked away in the corner. Described in the book as an Artist’s garden and Maureen Lipman’s favourite we could only be encouraged by the words  ‘A unique experience awaits!’

A small chatty queue had already formed but we were kept amused by the colourful bunting and the astro turfed front lawn.

Time to read those new little NGS notices planted so effectively in the ivy.

Then we spotted this one on the wall. Familiar faces appeared;  members of the film crew. It was the same team we had met at 51 The Chase, the last garden we visited last Tuesday. They recognised us. Did they think we were stalking them?

Nipping down the side of the house we began to follow the path taking us into the garden.

In just the first few steps we found plenty to see. A wonderful fireplace set in the hedge; cleverly complementing the planting of  lonicera nitida ‘baggesen’s gold and heuchera and tulips.

An oriental pagoda is set into the purple cotinus coggygria, wisteria and a variety of succulents arranged at the base.

Then round the corner we came across the film producer and the charming interviewer. This time in pink and we greet each other like long lost friends. ” Can we do that again” said the producer. Acting not being my forte I reluctantly agreed and we greeted each other once again. The interviewer is a natural; it is no wonder as I discover she is Miranda Hart’s mother.

Having dispensed with the retake we continued our tour. Meanwhile other visitors were already enjoying a cuppa under the dripping willow tree.

There are several mirrors strategically placed around the garden. One of a pair either side of the shed is guarded by ravens. A symbol of good luck or has someone been to the Tower?

This mirror cunningly hides all those bits you don’t want visitors to find,

And these large wall mirrors broaden the space.

Across the lawn there is a ghostly figure standing in the ‘blue marbled’ temple.

On closer inspection I wonder if she is trying to tell me something or is it a wardrobe malfunction?

It is not just the ornaments that provide a spectacle; the planting everywhere is exuberant with not a bare patch to be seen. This neatly edged border is an explosion of that favourite mix of tulips, wall flower and forget-me-not.

Hostas fire up out of antique chimney pots.

and there are plenty more in the medley of containers arranged on the terrace in front of the studio.

The garden owner is a masterful potter. Her studio is open and we cannot resist a purchase. Walking through the studio and out the other side we find the plant sales. Such a popular feature in many NGS gardens, and no exception here.   I covet a giant echium only to be devastated as it is snatched away before my eyes.

The place is positively packed with plants. Propagated in this greenhouse, or should it be called a redhouse.

Hiding this industrial area is a colourful wall, with a circular mirror set within.

Another mirror gives the impression of a path continuing  on through the gate.

An oriental house conveniently fits the corner and provides a welcome place to sit.

The red and oriental theme carries on over the small bridge.

Fork and Fish appear in a softening patch of geranium.

We spy a cameraman spiralling  down from the roof of the studio.

Retracing our steps we leave the other visitors who, out in their numbers, appear to be really having fun.

Pausing a minute by this clematis  I wonder if it is the colour from this flower that has inspired the potter’s hand.

The same colours are reflected in the pot that I have bought and I am pleased to take home a tangible memory of my visit. The studio is central to this unique garden, but it is not the only aspect. Ornament and artistry is woven naturally into the beautiful planting. It was my second London garden and so utterly different from the first. Have I still not learnt that no two gardens are ever the same. That of course is the joy of garden visiting.

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